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	<title>Elsewise Media &#187; Quotes</title>
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	<link>http://www.elsewisemedia.com</link>
	<description>Exploring the Elements of A Creative Life</description>
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	<itunes:summary>A companion to the Elsewise Media blog, Six Dense Minutes explores the life cycle of ideas, art, thought, process, aesthetic miscellanea, perception, the senses, and living a creative life.</itunes:summary>
	<itunes:author>Matt Blair</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<itunes:owner>
		<itunes:name>Matt Blair</itunes:name>
		<itunes:email>elsewisemedia@gmail.com</itunes:email>
	</itunes:owner>
	<managingEditor>elsewisemedia@gmail.com (Matt Blair)</managingEditor>
	<copyright>Creative Commons 3.0 by-nc-sa</copyright>
	<itunes:subtitle>An audio exploration of the life cycle of ideas</itunes:subtitle>
	<itunes:keywords>creativity, contemplation, ideas, thought, process, self-expression, aesthetics, sense, perception, meaning</itunes:keywords>
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		<title>Elsewise Media &#187; Quotes</title>
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	<itunes:category text="Arts" />
	<itunes:category text="Health">
		<itunes:category text="Self-Help" />
	</itunes:category>
	<itunes:category text="Society &amp; Culture">
		<itunes:category text="Philosophy" />
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		<title>Words on a Screen</title>
		<link>http://www.elsewisemedia.com/2010/01/words-on-a-screen/</link>
		<comments>http://www.elsewisemedia.com/2010/01/words-on-a-screen/#comments</comments>
		<pubDate>Tue, 19 Jan 2010 03:47:56 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Meaning]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Senses]]></category>
		<category><![CDATA[conscience]]></category>
		<category><![CDATA[inaction]]></category>
		<category><![CDATA[Martin Luther King]]></category>
		<category><![CDATA[MLK]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[reading speeches]]></category>
		<category><![CDATA[soundbites]]></category>
		<category><![CDATA[speech]]></category>
		<category><![CDATA[words]]></category>
		<category><![CDATA[written word]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=818</guid>
		<description><![CDATA[Each year on Martin Luther King, Jr. Day, I set aside some time to read through one of his speeches.
Yes, read. Not listen or watch, but read.
True, Dr. King was more of a speechmaker than a pamphleteer. The audio and video recordings of his speeches are indeed powerful.
But it&#8217;s kind of like that moment when [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>Each year on Martin Luther King, Jr. Day, I set aside some time to read through one of his speeches.</p>
<p>Yes, read. Not listen or watch, but read.</p>
<p>True, Dr. King was more of a speechmaker than a pamphleteer. The audio and video recordings of his speeches are indeed powerful.</p>
<p>But it&#8217;s kind of like that moment when you think of a song you&#8217;ve loved for years, and realize you have no idea what it&#8217;s about, or maybe just an incomplete understanding.</p>
<p>The non-verbal elements that inspire and attract us to a well-delivered speech can distract us from the actual message.</p>
<p>Strip away the soaring tone, the cheer of the crowd, the scratchy black-and-white sense of historical import, the measured breath and gleam in the eyes, the hands resting on each side of the podium as the voice rises and falls, and what&#8217;s left?</p>
<p>The words.</p>
<p>Quietly reading the text of a speech removes many of those sensual elements that allow us to get swept away in the moment.</p>
<p>It also fills out the frame in a way that all the short clips and soundbites we hear so often never do: not just the heights at the end, but the slow, steady climb through the rhetorical switchbacks before we glimpse the summit.</p>
<p>Here&#8217;s an excerpt of an <a title="Elsewise Media: Tomorrow is Today" href="http://www.elsewisemedia.com/2009/01/mlk-tomorrow-is-today/">excerpt</a> that I posted last year:</p>
<blockquote><p>Procrastination is still the thief of time. Life often leaves us standing bare, naked, and dejected with a lost opportunity. The tide in the affairs of men does not remain at flood — it ebbs. We may cry out desperately for time to pause in her passage, but time is adamant to every plea and rushes on. Over the bleached bones and jumbled residues of numerous civilizations are written the pathetic words, “Too late.”</p></blockquote>
<p>Hard not to think of pre-earthquake Haiti when reading a quote like that.</p>
<p>This year, I chose &#8220;<a title="Martin Luther King: Remaining Awake Through a Great Revolution" href="http://mlk-kpp01.stanford.edu/index.php/encyclopedia/documentsentry/doc_remaining_awake_through_a_great_revolution/">Remaining Awake Through a Great Revolution</a>&#8220;, from which this line also reminded me of Haiti &#8212; and North Korea and Zimbabwe and Detroit and so many other places:</p>
<blockquote><p>&#8220;There is nothing new about poverty. What is new is that we now have the techniques and the resources to get rid of poverty. The real question is whether we have the will.&#8221;</p></blockquote>
<p>And this is the passage that&#8217;s stuck with me throughout the day:</p>
<blockquote><p>One day a newsman came to me and said, &#8220;Dr. King, don’t you think you’re going to have to stop, now, opposing the war and move more in line with the administration’s policy? As I understand it, it has hurt the budget of your organization, and people who once respected you have lost respect for you. Don’t you feel that you’ve really got to change your position?&#8221; I looked at him and I had to say, &#8220;Sir, I’m sorry you don’t know me. I’m not a consensus leader. I do not determine what is right and wrong by looking at the budget of the Southern Christian Leadership Conference. I’ve not taken a sort of Gallup Poll of the majority opinion.&#8221; Ultimately a genuine leader is not a searcher for consensus, but a molder of consensus.</p>
<p>On some positions, cowardice asks the question, is it expedient? And then expedience comes along and asks the question, is it politic? Vanity asks the question, is it popular? Conscience asks the question, is it right?</p>
<p>There comes a time when one must take the position that is neither safe nor politic nor popular, but he must do it because conscience tells him it is right.</p></blockquote>
<p>Hmm.</p>
<p>Cowardice, Expediency, Politics and Vanity as the four horseman of Inaction, with Conscience as the savior?</p>
<p>I could sign on to that worldview.</p>
<p class="note">The King Institute has <a title="Martin Luther King's Speeches" href="http://mlk-kpp01.stanford.edu/index.php/encyclopedia/multimedia_contents">a list of Dr. King&#8217;s speeches</a>, with transcriptions of most.</p>
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		<title>The Right Storm of Attention</title>
		<link>http://www.elsewisemedia.com/2009/03/the-right-storm-of-attention/</link>
		<comments>http://www.elsewisemedia.com/2009/03/the-right-storm-of-attention/#comments</comments>
		<pubDate>Thu, 12 Mar 2009 17:50:07 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Performance]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[attention]]></category>
		<category><![CDATA[Audience]]></category>
		<category><![CDATA[criticism]]></category>
		<category><![CDATA[fans]]></category>
		<category><![CDATA[interaction]]></category>
		<category><![CDATA[value]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=391</guid>
		<description><![CDATA[
&#8220;Attention is what creates value. Artworks are made as well by how people interact with them &#8212; and therefore by what quality of interaction they can inspire. So how do we assess an artist who we suspect is dreadful but who manages to inspire the right storm of attention, and whose audience seems to swoon [...]]]></description>
			<content:encoded><![CDATA[<p></p><div class="ewm-quote-box">
<p>&#8220;Attention is what creates value. Artworks are made as well by how people interact with them &#8212; and therefore by what quality of interaction they can inspire. So how do we assess an artist who we suspect is dreadful but who manages to inspire the right storm of attention, and whose audience seems to swoon in the appropriate way? We say, &#8216;Well done.&#8217;&#8221;</p>
<p class="ewm-quote-attrib">Brian Eno, <a href="http://www.amazon.com/gp/product/0571179959?ie=UTF8&amp;tag=elsemedi-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0571179959">A Year With Swollen Appendices</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=elsemedi-20&amp;l=as2&amp;o=1&amp;a=0571179959" border="0" alt="" width="1" height="1" /></p>
</div>
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		<item>
		<title>Fluxional</title>
		<link>http://www.elsewisemedia.com/2009/03/fluxional/</link>
		<comments>http://www.elsewisemedia.com/2009/03/fluxional/#comments</comments>
		<pubDate>Fri, 06 Mar 2009 07:53:10 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Meaning]]></category>
		<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Emerson]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[words]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=370</guid>
		<description><![CDATA[
&#8220;But the quality of the imagination is to flow, and not to freeze. The poet did not stop at the color or the form, but read their meaning; neither may he rest in this meaning, but he makes the same objects exponents of his new thought. Here is the difference betwixt the poet and the [...]]]></description>
			<content:encoded><![CDATA[<p></p><div class="ewm-quote-box">
<p>&#8220;But the quality of the imagination is to flow, and not to freeze. The poet did not stop at the color or the form, but read their meaning; neither may he rest in this meaning, but he makes the same objects exponents of his new thought. Here is the difference betwixt the poet and the mystic, that the last nails a symbol to one sense, which was a true sense for a moment, but soon becomes old and false. For all symbols are fluxional; all language is vehicular and transitive, and is good, as ferries and horses are, for conveyance, not as farms and houses are, for homestead.&#8221;</p>
<p class="ewm-quote-attrib">from <a title="Ralph Waldo Emerson: The Poet" href="http://en.wikisource.org/wiki/Essays:_Second_Series/The_Poet" target="_blank">The Poet</a> by Ralph Waldo Emerson</p>
</div>
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		<item>
		<title>Who are you inviting to the table?</title>
		<link>http://www.elsewisemedia.com/2009/02/who-are-you-inviting-to-the-table/</link>
		<comments>http://www.elsewisemedia.com/2009/02/who-are-you-inviting-to-the-table/#comments</comments>
		<pubDate>Thu, 19 Feb 2009 03:32:07 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Performance]]></category>
		<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=342</guid>
		<description><![CDATA[
&#8220;Readers and listeners enjoy my books,
But poet Whozis thinks I&#8217;m pretty crude.
I don&#8217;t much care. I&#8217;d rather have my food
Appeal to hungry feasters than to cooks.&#8221;
Martial
(translated by Rolfe Humphries)

]]></description>
			<content:encoded><![CDATA[<p></p><div class="ewm-quote-box">
<p>&#8220;Readers and listeners enjoy my books,<br />
But poet Whozis thinks I&#8217;m pretty crude.<br />
I don&#8217;t much care. I&#8217;d rather have my food<br />
Appeal to hungry feasters than to cooks.&#8221;</p>
<p class="ewm-quote-attrib"><a title="Google Book Search: Selected Epigrams of Martial" href="http://books.google.com/books?id=BIJpHgAACAAJ&amp;dq=martial" target="_blank">Martial</a><br />
(translated by Rolfe Humphries)</p>
</div>
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		<item>
		<title>General Principles, From an Organist</title>
		<link>http://www.elsewisemedia.com/2009/02/general-principles-from-an-organist/</link>
		<comments>http://www.elsewisemedia.com/2009/02/general-principles-from-an-organist/#comments</comments>
		<pubDate>Tue, 10 Feb 2009 01:28:12 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Life Cycle of Ideas]]></category>
		<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=324</guid>
		<description><![CDATA[

Don&#8217;t look forward to a finished and complete entity. The idea must always be kept in a state of flux.
An error may be only an unintentional rightness.
Do not get too fussy about how every part of the thing sounds. Go ahead. All processes are at first awkward and clumsy and &#8220;funny&#8221;.
Polishing is not at all [...]]]></description>
			<content:encoded><![CDATA[<p></p><div class="ewm-quote-box">
<ul>
<li>Don&#8217;t look forward to a finished and complete entity. The idea must always be kept in a state of flux.</li>
<li>An error may be only an unintentional rightness.</li>
<li>Do not get too fussy about how every part of the thing sounds. Go ahead. All processes are at first awkward and clumsy and &#8220;funny&#8221;.</li>
<li>Polishing is not at all the important thing; instead strive for a rough go-ahead energy.</li>
<li>Do not be afraid of being wrong; just be afraid of being uninteresting.</li>
</ul>
<p class="ewm-quote-attrib">Excerpts of &#8220;General Basic Principles&#8221;<br />
from organist T. Carl Whitmer&#8217;s 1934 book<br />
<a title="Google Book Search: The Art of Improvisation" href="http://books.google.com/books?id=wN7tPQAACAAJ&amp;dq=t.+carl+whitmer&amp;lr=" target="_blank">The Art of Improvisation</a><br />
Quoted by <a title="Wikipedia: Derek Bailey" href="http://en.wikipedia.org/wiki/Derek_Bailey" target="_blank">Derek Bailey</a> in his book<br />
<a href="http://www.amazon.com/gp/product/0306805286?ie=UTF8&#038;tag=elsemedi-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0306805286" target="_blank">Improvisation: Its Nature And Practice In Music</a><img src="http://www.assoc-amazon.com/e/ir?t=elsemedi-20&#038;l=as2&#038;o=1&#038;a=0306805286" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>
</div>
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		<item>
		<title>Distinct Roles</title>
		<link>http://www.elsewisemedia.com/2009/02/distinct-roles/</link>
		<comments>http://www.elsewisemedia.com/2009/02/distinct-roles/#comments</comments>
		<pubDate>Sun, 01 Feb 2009 19:26:14 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Process and Workflow]]></category>
		<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=291</guid>
		<description><![CDATA[
You cannot write books with a critical head. You cannot produce good prose if you are the skeptic, scouring every line for the false note, the exaggeration, the argument that doesn&#8217;t persuade.
&#8230;
The [editorial] hat and sneer came in handy later &#8212; once I&#8217;d written the first draft. It was then I needed to slap myself [...]]]></description>
			<content:encoded><![CDATA[<p></p><div class="ewm-quote-box">
<p>You cannot write books with a critical head. You cannot produce good prose if you are the skeptic, scouring every line for the false note, the exaggeration, the argument that doesn&#8217;t persuade.<br />
&#8230;<br />
The [editorial] hat and sneer came in handy later &#8212; once I&#8217;d written the first draft. It was then I needed to slap myself around, give the manuscript a hard time, and I was glad to have been a former editor. But I had learned something I&#8217;d never known: No amount of study, or work in the field, could prepare me for facing the page alone.</p>
<p class="ewm-quote-attrib">Marie Arana, in her introduction to<br />
&#8220;The Writing Life: Writers on How They Think And Work&#8221;</p>
</div>
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		<title>Blooming</title>
		<link>http://www.elsewisemedia.com/2009/01/blooming/</link>
		<comments>http://www.elsewisemedia.com/2009/01/blooming/#comments</comments>
		<pubDate>Thu, 29 Jan 2009 04:56:09 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Quotes]]></category>
		<category><![CDATA[Volition]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=285</guid>
		<description><![CDATA[Malcolm Gladwell:
Ben Fountain’s rise sounds like a familiar story: the young man from the provinces suddenly takes the literary world by storm. But Ben Fountain’s success was far from sudden. He quit his job at Akin, Gump in 1988. For every story he published in those early years, he had at least thirty rejections. The [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><a title="Late Bloomers by Malcolm Gladwell" href="http://www.newyorker.com/reporting/2008/10/20/081020fa_fact_gladwell?printable=true" target="_blank">Malcolm Gladwell</a>:</p>
<blockquote><p>Ben Fountain’s rise sounds like a familiar story: the young man from the provinces suddenly takes the literary world by storm. But Ben Fountain’s success was far from sudden. He quit his job at Akin, Gump in 1988. For every story he published in those early years, he had at least thirty rejections. The novel that he put away in a drawer took him four years. The dark period lasted for the entire second half of the nineteen-nineties. His breakthrough with “Brief Encounters” came in 2006, eighteen years after he first sat down to write at his kitchen table. The “young” writer from the provinces took the literary world by storm at the age of forty-eight.</p></blockquote>
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		<title>MLK: Tomorrow is Today</title>
		<link>http://www.elsewisemedia.com/2009/01/mlk-tomorrow-is-today/</link>
		<comments>http://www.elsewisemedia.com/2009/01/mlk-tomorrow-is-today/#comments</comments>
		<pubDate>Tue, 20 Jan 2009 01:56:15 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=281</guid>
		<description><![CDATA[
We are now faced with the fact, my friends, that tomorrow is today. We are confronted with the fierce urgency of now. In this unfolding conundrum of life and history, there is such a thing as being too late. Procrastination is still the thief of time. Life often leaves us standing bare, naked, and dejected [...]]]></description>
			<content:encoded><![CDATA[<p></p><div class="ewm-quote-box">
<p>We are now faced with the fact, my friends, that tomorrow is today. We are confronted with the fierce urgency of now. In this unfolding conundrum of life and history, there is such a thing as being too late. Procrastination is still the thief of time. Life often leaves us standing bare, naked, and dejected with a lost opportunity. The tide in the affairs of men does not remain at flood &#8212; it ebbs. We may cry out desperately for time to pause in her passage, but time is adamant to every plea and rushes on. Over the bleached bones and jumbled residues of numerous civilizations are written the pathetic words, &#8220;Too late.&#8221; There is an invisible book of life that faithfully records our vigilance or our neglect. Omar Khayyam is right: &#8220;The moving finger writes, and having writ moves on.&#8221;</p>
<p class="ewm-quote-attrib">Martin Luther King, Jr, on <a title="MLK: A Time to Break Silence" href="http://www.americanrhetoric.com/speeches/mlkatimetobreaksilence.htm" target="_blank">April 4, 1967</a></p>
</div>
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		<item>
		<title>Poetry is&#8230;</title>
		<link>http://www.elsewisemedia.com/2008/12/poetry-is/</link>
		<comments>http://www.elsewisemedia.com/2008/12/poetry-is/#comments</comments>
		<pubDate>Mon, 22 Dec 2008 19:03:33 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=224</guid>
		<description><![CDATA[
Poetry is a voice of dissent
against the waste of words
and the mad plethora of print
It is what exists
between the lines
It is made
with the syllables of dreams

Lawrence Ferlinghetti, What is Poetry

]]></description>
			<content:encoded><![CDATA[<p></p><div class="ewm-quote-box">
<p align="center">Poetry is a voice of dissent<br />
against the waste of words<br />
and the mad plethora of print</p>
<p align="center">It is what exists<br />
between the lines</p>
<p align="center">It is made<br />
with the syllables of dreams
</p>
<p class="ewm-quote-attrib">Lawrence Ferlinghetti, <em>What is Poetry</em></p>
</div>
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		<title>Completeness</title>
		<link>http://www.elsewisemedia.com/2008/12/completeness/</link>
		<comments>http://www.elsewisemedia.com/2008/12/completeness/#comments</comments>
		<pubDate>Thu, 11 Dec 2008 21:34:27 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=201</guid>
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I like to say that I write poems for a stranger who will be born in some distant country hundreds of years from now. This is a useful notion, especially during revision.  It reminds me, forcefully, that everything necessary must be on the page.  I must make a complete poem &#8212; a river-swimming [...]]]></description>
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<p>I like to say that I write poems for a stranger who will be born in some distant country hundreds of years from now. This is a useful notion, especially during revision.  It reminds me, forcefully, that everything necessary must be on the page.  I must make a complete poem &#8212; a river-swimming poem, a mountain-climbing poem.  Not <em>my</em> poem, if it&#8217;s well done, but a deeply breathing, bounding, self-sufficient poem. Like a traveler in an uncertain land, it needs to carry with it all that it must have to sustain its own life &#8212; and not a lot of extra weight, either.</p>
<p class="ewm-quote-attrib">Mary Oliver, <em>A Poetry Handbook</em></p>
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		<title>Creative Economy</title>
		<link>http://www.elsewisemedia.com/2008/12/creative-economy/</link>
		<comments>http://www.elsewisemedia.com/2008/12/creative-economy/#comments</comments>
		<pubDate>Thu, 04 Dec 2008 05:23:52 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=199</guid>
		<description><![CDATA[
Creativity &#8212; it starts when you cut one zero from your budget.  If you cut two zeros, it&#8217;s much better.
Jaime Lerner, former mayor of Curitiba, Brazil

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<p>Creativity &#8212; it starts when you cut one zero from your budget.  If you cut two zeros, it&#8217;s much better.</p>
<p class="ewm-quote-attrib"><a title="TED: Jaime Lerner on Making Cities Sustainable" href="http://www.ted.com/index.php/talks/jaime_lerner_sings_of_the_city.html" target="_blank">Jaime Lerner</a>, former mayor of Curitiba, Brazil</p>
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		<title>Stepping Over</title>
		<link>http://www.elsewisemedia.com/2008/11/stepping-over/</link>
		<comments>http://www.elsewisemedia.com/2008/11/stepping-over/#comments</comments>
		<pubDate>Fri, 21 Nov 2008 06:44:18 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=174</guid>
		<description><![CDATA[
&#8220;It takes a while before you can step over inert bodies and go ahead with what you were trying to do.&#8221;
&#8211; Jenny Holzer, from a piece in the Warhol museum in Pittsburgh

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<p>&#8220;It takes a while before you can step over inert bodies and go ahead with what you were trying to do.&#8221;</p>
<p class="ewm-quote-attrib">&#8211; Jenny Holzer, from a piece in the Warhol museum in Pittsburgh</p>
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		<title>The cycle of belief and disbelief</title>
		<link>http://www.elsewisemedia.com/2008/11/the-cycle-of-belief-and-disbelief/</link>
		<comments>http://www.elsewisemedia.com/2008/11/the-cycle-of-belief-and-disbelief/#comments</comments>
		<pubDate>Mon, 03 Nov 2008 17:26:37 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Life Cycle of Ideas]]></category>
		<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=196</guid>
		<description><![CDATA[
Writing is about hypnotizing yourself into believing in yourself, getting some work done, then unhypnotizing yourself and going over the material coldly. There will be many mistakes, many things to take out and others that need to be added. You just aren&#8217;t always going to make the right decision. My friend Terry says that when [...]]]></description>
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<p>Writing is about hypnotizing yourself into believing in yourself, getting some work done, then unhypnotizing yourself and going over the material coldly. There will be many mistakes, many things to take out and others that need to be added. You just aren&#8217;t always going to make the right decision. My friend Terry says that when you need to make a decision, in your work or otherwise, and you don&#8217;t know what to do, just do one thing or the other, because the worst that can happen is that you will have made a terrible mistake.</p>
<p class="ewm-quote-attrib">Anne Lamott, <em>Bird by Bird</em></p>
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		<title>How Paul Krugman Works</title>
		<link>http://www.elsewisemedia.com/2008/10/how-paul-krugman-works/</link>
		<comments>http://www.elsewisemedia.com/2008/10/how-paul-krugman-works/#comments</comments>
		<pubDate>Sun, 26 Oct 2008 18:04:32 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Life Cycle of Ideas]]></category>
		<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=184</guid>
		<description><![CDATA[What might &#8216;creative silliness&#8217; have to do with the dismal science?
Paul Krugman won the Nobel prize for economics a few weeks ago, and in the midst of all the coverage, I stumbled across an essay on his old MIT site titled How I Work. It&#8217;s not clear how long ago he wrote this, and many [...]]]></description>
			<content:encoded><![CDATA[<p></p><p>What might &#8216;creative silliness&#8217; have to do with the <a title="Dismal Science on Wikipedia" href="http://en.wikipedia.org/wiki/Dismal_Science" target="_blank">dismal science</a>?</p>
<p>Paul Krugman <a title="Columnist Krugman Wins Nobel For Economics" href="http://www.npr.org/templates/story/story.php?storyId=95666525" target="_blank">won the Nobel prize for economics</a> a few weeks ago, and in the midst of all the coverage, I stumbled across an essay on his old MIT site titled <a title="Paul Krugman: How I Work" href="http://web.mit.edu/krugman/www/howiwork.html" target="_blank">How I Work</a>. It&#8217;s not clear how long ago he wrote this, and many of the technical details about economics are over my head, but there are some generalized ideas that are worth extracting, particularly his four rules for research:</p>
<p>1. Listen to the Gentiles</p>
<blockquote><p>&#8220;But always remember that you may have gotten the metaphor wrong, and that someone else with a different metaphor may be seeing something that you are missing.&#8221;</p></blockquote>
<p>2. Question the question</p>
<blockquote><p>&#8220;In general, if people in a field have bogged down on questions that seem very hard, it is a good idea to ask whether they are really working on the right questions. Often some other question is not only easier to answer but actually more interesting! (One drawback of this trick is that it often gets people angry. An academic who has spent years on a hard problem is rarely grateful when you suggest that his field can be revived by bypassing it).&#8221;</p></blockquote>
<p>3. Dare to be silly</p>
<blockquote><p>&#8220;What I believe is that the age of creative silliness is not past. Virtue, as an economic theorist, does not consist in squeezing the last drop of blood out of assumptions that have come to seem natural because they have been used in a few hundred earlier papers. If a new set of assumptions seems to yield a valuable set of insights, then never mind if they seem strange.&#8221;</p></blockquote>
<p>4. Simplify, simplify</p>
<blockquote><p>&#8220;Fortunately, there is a strategy that does double duty: it both helps you keep control of your own insights, and makes those insights accessible to others. The strategy is: always try to express your ideas in the simplest possible model. The act of stripping down to this minimalist model will force you to get to the essence of what you are trying to say (and will also make obvious to you those situations in which you actually have nothing to say).&#8221;</p></blockquote>
<p>(I pulled these excerpts from his extended explanations of each rule.)</p>
<p>You can read the full essay <a title="Paul Krugman: How I Work" href="http://web.mit.edu/krugman/www/howiwork.html">here</a>.</p>
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		<title>Not getting stuck at the start</title>
		<link>http://www.elsewisemedia.com/2008/10/not-getting-stuck-at-the-start/</link>
		<comments>http://www.elsewisemedia.com/2008/10/not-getting-stuck-at-the-start/#comments</comments>
		<pubDate>Sat, 18 Oct 2008 06:45:39 +0000</pubDate>
		<dc:creator>Matt Blair</dc:creator>
				<category><![CDATA[Quotes]]></category>

		<guid isPermaLink="false">http://www.elsewisemedia.com/?p=176</guid>
		<description><![CDATA[
&#8220;I always write the beginning at the end.  It&#8217;s the last thing I write because then I know what the book is about.&#8221;
&#8211; Michael Ondaatje, in Susan Bell&#8217;s book &#8220;The Artful Edit&#8221;

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<p>&#8220;I always write the beginning at the end.  It&#8217;s the last thing I write because then I know what the book is about.&#8221;</p>
<p class="ewm-quote-attrib">&#8211; Michael Ondaatje, in Susan Bell&#8217;s book &#8220;The Artful Edit&#8221;</p>
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