After starting off with a somewhat obtuse quote from Glenn Gould, I set up a metaphor of an island and the surrounding sea:
- The land is certainty, and the sea, uncertainty.
- The land is solid, the sea is liquid.
- Land represents belief, and the sea, doubt.
- Land is well-defined, while the sea is vague and elusive.
- Land is static, the sea — dynamic.
What do our wanderings between land and sea have to do with the creative process?
Have a listen:
- Which areas of this continuum between system and negation, between land and sea, support your work? Which enrich your life? How do you move within it?
- Are you content with occasional trips to the beach, to watch the tides of uncertainty lap at the edge of the known?
- Do you derive enough inspiration by wading knee-deep into the mystery? Or do you long to go deep-sea fishing every single day?
- Do you like to go to sea in a row boat? A crowded cruise ship, with lots of coordinated activities? A freighter with a few people and lots of heavy but valuable cargo?
- Do you get sea-sick easily?
Please share your thoughts by adding a comment below.
The Glenn Gould commencement speech I quoted is available in The Glenn Gould Reader, edited by Tim Page.
Here’s another Gould quote from earlier in the same speech that I ended up cutting from the audio version of the podcast:
“You must try to discover how high your tolerance is for the questions you ask of yourself. You must try to recognize that point beyond which the creative exploration — questions that extend your vision of your world — extends beyond the point of tolerance and paralyzes the imagination by confronting it with too much possibility, too much speculative opportunity. To keep the practical issues of systematized thought and the speculative opportunities of the creative instinct in balance will be the most difficult and important undertaking of your lives in music.”
John Keats, in a letter dated 28 December 1817, to George and Thomas Keats:
“I had not a dispute but a disquisition with Dilke, on various subjects; several things dovetailed in my mind, & at once it struck me, what quality went to form a Man of Achievement especially in literature & which Shakespeare possessed so enormously – I mean Negative Capability, that is when man is capable of being in uncertainties, Mysteries, doubts without any irritable reaching after fact & reason.”
from poets.org: Bright Star: Campion’s Film About the Life and Love of Keats
Björk, in Oceania:
“Your sweat is salty/ I am why…”
Outro music: An excerpt from Amb07 (DrunkAtTheLabAgain) by AFS (An improv project by surdus and Tony Grund, who is now performing in Echostream.) Recorded live in May, 2001.