I have more posts drafted for the creative surplus series, but there are other topics that I’d like to be writing about, too, so I’m going to save those ‘surplus’ drafts for a continuation of the series at some point in the future.
Think of it as a series that has been renewed for a second season.
Until then, here are links to all of the posts in the first batch of the series:
- I began the series by asking if we can have too many ideas. (And yes, my last post did encourage you to write down 20-40 ideas in ten minutes! Note to self: write about the value of contradictions…)
- Next, I pondered the process of choosing our work when there are so many worthwhile projects and ideas to explore. (Do we have to choose? And will we know if we’ve made the right choice?)
- I considered creativity as an ecosystem of ideas, and described two phenomena that can occur within such ecosystems: blooms and dead zones. (Don’t worry: recovery is possible.)
- Then I claimed that inefficiency is culture. (With a visual assist from heirloom tomatoes.)
- I made a distinction between the price of a particular art object and its long-term value. (And resisted bringing Duchamp’s Fountain into the post.)
- And finally, I celebrated peculiarity. (Not much of a cliff-hanger for Season One. I’ll work on that.)
Throughout May, I will be doing more writing about the practical aspects of a creative life, including an exercise a week.
Which do you like better? The more abstract essays, or the more practical exercises and posts on process?
Please let me know in the comments, or by email.